Inspiration is a big, loose term, especially when talking about piece of art.
It's sort of fat and amorphous, and I think that's why when artists are talking to each other they tend to shy away from it. It sounds mushy.
For the person creating the piece, 'inspiration' might be the least important part of the puzzle they are trying to solve.
As an example, here is how I am stepping off onto a blank two dimensional surface in my current series.
First, I've become interested square compositions because they are a less common format than the rectangle. Squares are usually used in symmetrical compositions, but I lean towards asymmetrical, so that's a nice challenge.
Here's a 12" x 12" piece of hardboard painted with acrylics; a collection of related colors, applied in a random manner.
Second, I continue to be interested in using texture as a way to explore pictorial depth.
I want to move away from the collage technique of using found papers and materials and return to using paint.
I cover the board with pieces of hand painted paper, completely changing the surface character.
These are my brush strokes, torn and reassembled on a new surface.
Once the surface is alive and in motion, I add larger pieces of paper - stronger brush strokes that start to introduce form.
This is the point at which I have to decide if this composition is going to be entirely abstract,
or if I want to build forms from nature.
Looking to my garden, I find long arms of pale blue Russian sage, very like the blue form developing on my board. And there's the cascading form of rosemary, also flowering in blue.
I decide to build the composition around flower shapes.
I take a lot of garden pictures, so I have lots of flower shapes on file.
The composition is now a floral, but that wasn't the starting point.
And the most interesting part of the work for me is not the subject matter.
I'm still trying to find my way around a square canvas!
The composition takes days to bring into balance.
This quirky photo was taken in very strong sunlight. It really bleaches out the colors, but shows up the layers of texture.
This is the final composition.